Analysis of F. Tyutchev's poem "There is melodiousness in the waves of the sea". The expression "Musician rustle" in the poem by F. I. Tyutchev "There is melodiousness in the waves of the sea" And the thinking reed murmurs analysis
There is melodiousness in the waves of the sea…. Tyutchev F.I.
There is melodiousness in the waves of the sea,
Harmony in natural disputes,
And a slender Musiki rustle
It flows in unsteady reeds.
An imperturbable system in everything,
Consonance is complete in nature, -
Only in our ghostly freedom
We are aware of our discord.
Where, how did the discord arise?
And why in the general choir
The soul does not sing like the sea,
And the thinking reed grumbles?
* There is a musical harmony
in coastal reeds (lat.) -
Fate decreed that the poet and politician Fyodor Tyutchev spent a significant part of his life in St. Petersburg. It was here that the last years of his life passed, when, after receiving the title of Privy Councilor, Tyutchev was forced to constantly be at the imperial court. The harsh climate of the northern Russian capital weighed heavily on the poet, who by that time was already experiencing serious health problems. Nevertheless, Tyutchev could not help but admire the strict beauty of nature, its grandeur and severity, trying to understand why people cannot live according to its laws. The poet was especially attracted by the harsh Baltic Sea, to which in 1865 he dedicated his poem "There is melodiousness in the waves of the sea ...".
The indigenous inhabitants of St. Petersburg have always considered the deep sea a source of numerous troubles and, at the same time, treated it with respect, since it was the sea that gave them food and livelihood. To consider it from a romantic point of view, few came to mind. However, Tyutchev managed to discover features in the water element that turned out to be consonant with his own worldview. So, in the waves, the poet saw a special melodiousness and harmony, which are characteristic of nature, but remain outside the field of rhenium of most people. Asking why only a few are able not only to understand the beauty of the world around us, but also to follow its simple laws, Tyutchev comes to the conclusion that we ourselves are to blame for this. “Only in our illusory freedom do we recognize discord with her,” the poet notes, believing that only strong spiritual confusion makes a person turn to his sources, seeking protection from nature. Only then does a person realize that “the soul does not sing like the sea” and, therefore, becomes insensitive, hardened and indifferent to that priceless gift that is called the Universe.
The loss of connection with the outside world, which one day suddenly becomes alien and frightening, is, according to Tyutchev, the most terrible test for any of us. After all, at this moment a person loses a particle of his soul and ceases to live according to the laws of nature. As a result, the "desperate protest soul" turns into a "voice crying in the wilderness", to which it is impossible to get a response. Simple questions remain unanswered and life turns into a series of random circumstances in which it is impossible to trace a pattern just because the very laws of nature become alien to man and are rejected as something empty and without value.
The poem "There is melodiousness in the waves of the sea" is the author's understanding of human life and the nature around him through the theme of music. An epigraph is given to the poem, opening this theme: “there is musical harmony in the coastal reeds”, and then the “complete consonance of nature” will come into conflict with the “desperate protest” of the human soul. And it is the theme of music, the theme of art that gives the author the opportunity to talk about this conflict, allows you to see in this special reality the dissonance, the “discord” of nature and man.
The first stanza of the poem is about harmony in nature, including harmony in the "disputes" of people, but on the condition that these disputes are "spontaneous", that is, natural, natural. The stanza is syntactically homogeneous, without isolated complications, which enhances the overall harmonious, harmonious perception. Alliteration also works for this. These techniques create some structure, the construction of the first stanza. Music is a kind of harmonious system, like nature, built into a harmonious structure. And that musical, natural harmony is opposed to chaos, discord.
In the second stanza of the poem, the main conflict begins - the discord between the "natural consonance" and the human soul. The clash of these topics is punctuated by very “heavy” punctuation marks: a comma and a dash, which highlights and strengthens this conflict. In nature, there is “complete consonance”, but the human soul is removed from this harmony, a person is “illusoryly free” and is at odds with the harmonious musicality of nature.
The third stanza consists of two rhetorical questions: where did that discord come from and why. In the same stanza, the answer is given: the soul, like the reed, “thinks and grumbles” in discord with the general choir.
In the last stanza, a gospel, divine motive appears. “The voice of one crying,” his protest, is not only disharmonious to natural music, but also remains without God's answer, it is not heard “from the earth to the outermost stars.”
Why does the human soul come into conflict with harmonious natural music? The author answers this question in the poem as follows: because a person is “thinking”, and the natural system is “imperturbable”.
So, in F.I. Tyutchev’s poem “Smellingness is in the waves of the sea”, through the theme of natural musical harmony, the conflict of the harmony of nature and the protest of the human soul is revealed.
A person thinks, he feels alone in the world (“in the wilderness”), he grumbles, protests to God, he is aware of his discord with nature. Why? Because man is given, albeit illusory, but freedom, when nature is only "imperturbable."
Updated: 2017-03-14
lookComposition
The poem by F. I. Tyutchev “There is melodiousness in the waves of the sea ...” was written on May 17, 1865. It refers to the late lyrics of the poet and is a philosophical reflection, meditation. Therefore, according to the genre, this poem can be attributed to an elegy.
Compositionally, the work is divided into several parts, opposed to each other. The work itself is preceded by an epigraph from ancient Roman poetry - "Est in arundineis modulatio musica ripis" (There is musical harmony in the coastal reeds (lat.)). It defines the main motive of the poem - the harmony and wisdom of the natural world. In addition, this epigraph can be considered a component of the first part of the poem.
The very first part is syntactically separated from the second compositional part by a dash:
There is melodiousness in the waves of the sea,
Harmony in natural disputes,
And a slender Musiki rustle
It flows in unsteady reeds.
An imperturbable system in everything,
Consonance is complete in nature, -
In this part, the lyrical hero is once again convinced and then claims that the world of nature surrounding a person is harmonious. What does it mean? Everything in nature follows wise laws that lead to good and prosperity, to peace and tranquility. If any disputes or contradictions arise, they are quickly resolved (in spontaneous disputes), and even in them harmony is felt. Everything in the natural world acts in harmony and unity, in submission to one main, universal law.
The second part of the poem is opposed to the first. She describes the world of human society:
Only in our ghostly freedom
We are aware of our discord.
Man has long since separated and distanced himself from nature. He imagines himself free. But the lyrical hero claims that this is "illusory freedom." In fact, people are tied hand and foot, because they do not know how to become happy, how to achieve harmony in their souls and among other people.
It is important that the person himself is aware of his discord with nature, but can no longer return to its origins. Late.
The third part consists of questions of the lyrical hero:
Where, how did the discord arise?
And why in the general choir
The soul does not sing like the sea,
And the thinking reed grumbles?
He painfully asks: “How did the tragic discord between man and everything around him, nature arise?” The hero is trying to understand the reasons for human isolation from the natural world. Trying to understand why we cannot live according to the laws of harmony, an example of which nature gives us every day? Why are people opposed to it, and do not live in harmony and unity? It turns out that a person is opposed to everything except himself, only his voice is knocked out of the "common choir".
The fourth part - the climax - consists of the last stanza of the poem:
And from the earth to the extreme stars
Everything is still unanswered
Voice in the wilderness,
Souls of desperate protest?
In this part, with the help of rhetorical questions, a painful picture of the position of a person in the modern Tyutchev world is drawn. The person is unhappy and lonely. The scale of his loneliness is drawn - "And from the earth to the extreme stars." The loneliness of man is emphasized by the metaphor "the voice of one crying in the wilderness".
A person is alone, alone with his mental pain, attempts to become happy, to comprehend harmony. His soul protests against his desperate situation, but does not find answers to the questions that arise. "Why?" - the lyrical hero asks along with others. "Why?" - he suffers and does not find an answer.
In this poem there are artistic means that help to reveal the theme and idea of the work. The first part of the poem is filled with epithets: “in spontaneous disputes”, “slender music rustle”, “in unsteady reeds”, “unflappable order”, “complete consonance”. All of them are designed to create a picture of a harmonious, peaceful and beautiful life of nature. The only metaphor of the first part - "the rustle flows" - is subordinated to the same task.
The second part is full of metaphors: “in the general choir”, “the soul sings not right”, “the reed murmurs”. Interesting. that the poet animates the world of nature and the world of man, connecting them. He shows that initially everything is one, everything came from one source. This idea is confirmed by the comparison of the human soul with the sea: “The soul sings not like the sea” and epithets: “illusory freedom”, “common choir”, “thinking reed”.
The artistic means of the third part are designed to convey the tragedy of human loneliness in the world. This is helped by the epithet "desperate soul", the hyperbole "and from the earth to the extreme stars", the biblical quote "the voice of one crying in the wilderness".
The opposition of the first part of the poem to the second emphasizes the dash, which breaks the complex non-union sentence into two parts. The second and third parts of the work are built on rhetorical questions, emphasizing the hopelessness of a person's position, his global loneliness.
The stanzas of the poem have a ring rhyme in which male and female rhymes alternate.
The poem is written in iambic tetrameter with pyrrhic, which gives it an elegiac smoothness and thoughtfulness.
In the poem “There is a melodiousness in the waves of the sea...” (1865), an inquisitive thought and “murmur”, a protest of a person who is not able to come to terms with his fate as a mortal and an infinitely small part of the universe, are opposed to music spilled in nature and reflecting its harmony. The sound writing of this poem helps the poet communicate the amazing dynamics and expression of poetic fantasy, transform poetic studies from nature into such “landscapes in verses”, where visually concrete images are imbued with thought, feeling, mood, meditation: “There is melodiousness in the sea waves, / Harmony in spontaneous disputes, / And a slender Musiki rustle / Flows in unsteady reeds ”(“ Musiki (obsolete) - musical).
The focus of the poem, its emotionally “shocking” part is the saying of the French philosopher B. Pascal. B. Pascal, like F. I. Tyutchev, reflected on the question of the relationship of man with nature and his separation, isolation from it. “Man is nothing but a reed, very weak by nature, but this reed thinks,” wrote B. Pascal, who emphasized that man is the most perfect natural phenomenon and considered the ability to think as a source of strength. F. I. Tyutchev, in this poem, conveyed the feeling of loneliness of a person, torn away by his knowing mind from nature, unable to penetrate into the harmony of its spontaneous processes, but also unable to come to terms with it. The theme of discord between man and nature sounded with particular force in this late poem: “An imperturbable order in everything, / Complete consonance in nature, - / Only in our illusory freedom / We are aware of discord with it. / Where, how did the discord arise? / And why is it that in the common choir / The soul does not sing like the sea, / And the thinking reed murmurs?
According to F. I. Tyutchev, the personal “I” prevents a person from fully feeling himself a part of nature and joining his voice to her “common choir”. At the same time, it is no coincidence that it is precisely “spontaneous disputes” that always so excite the poetic imagination of F. I. Tyutchev, and it is no coincidence that in the memory of everyone who has ever opened a book of his poems, those poems in which the poet turned to the image of storms and thunderstorms. And the best epigraph to these verses could be the words from the analyzed poem: "Harmony in spontaneous disputes." Thunderstorms and storms pass, and nature shines even brighter with all its colors, sounds even more clearly with all its voices.
In Russian literature of the 19th century, a special place belongs to Fyodor Ivanovich Tyutchev, who, according to I. S. Turgenev, created “speech that is not destined to die.” One of the central themes in his mature lyrics is the theme of love, which is revealed with special drama in poems dedicated to E. A. Dvnisieva. The state of falling in love for the poet is as natural as intense thoughts about the eternal questions of being.
Reading the poem “There is melodiousness in the waves of the sea ...”, a person appears standing alone on the seashore and reflecting on life and death, love and freedom, momentary and eternal ...
Tyutchev has few poems with exact dates. In this case, it is known - May 11, 1865. The poem was written right in the carriage, during the author's trip to the islands in St. Petersburg on the ninth day of the death of his children from Deniseva.
"There is a melodiousness in the waves of the sea,
Harmony in natural disputes,
And a slender Musiki rustle
It flows in unsteady reeds.
In these lines one can see a poet of a special philosophical warehouse - he not only has the gift of a landscape painter, but also his own philosophy of nature. His mind struggles with the mysteries of the universe, trying to penetrate the secret of the contradictory unity of nature and man.
"Imperturbable order in everything,
Consonance is complete in nature, _
Only in our ghostly freedom
We are aware of the discord with her.
Tyutchev speaks of the separation of man from nature as something unnatural, which does not correspond to the "imperturbable order" of natural existence. The soul, which sings not like the sea, is opposed to "full consonance in nature."
Man is a reed standing before the vast universe-sea. But this is a “thinking” reed, it murmurs in a common chorus, instead of making a harmonious rustle in harmony with being.
“Where, how did the discord arise?
And from what in the general choir
The soul does not sing like the sea,
And the thinking reed murmurs?
“Trying to understand its cause, the author suggests that the discord exists more in the mind of a person, and not in reality. As stated in the 4th stanza, which was not published later, the desperate protest of the human soul remains “the voice of one crying in the wilderness. The cause of discord with nature lies in man himself. It is not she who rejects him, but he himself, immersed in evil passions, unable to accept her harmonious and gracious world into himself. At the same time, the general structure of the existence of nature is such that a living individuality is separated from it.
Tyutchev believes that this discord is a temporary protest, after which either a merger with nature occurs, or death (it is no coincidence that the poet compares a person with a reed that grows not on land, but in “coastal reeds” and dies without water).
The language of the poem is striking in its brilliance, liveliness, quivering words and turns. The poet uses the metaphor "thinking reed" - a man, the epithets "spontaneous disputes", "unsteady reeds", "illusory freedom". And what is interesting: the work does not exude composition, it seems to be born by itself.
Nature in the poem is like a living being. She feels, breathes, sad. In itself, the animation of nature is usually for poetry, but for Tyutchev it is not just a personification, not just a metaphor: the living beauty of nature. He "accepted and understood not as his fantasy, but as the truth."
There are a lot of reminiscences in “Smells…”: this is Blaise Pascal’s “thinking reed”, who wrote that a person is just a reed, but he is more sublime than the universe, “because he has consciousness”; and the Roman poet Ausonius, who put into the words “there is musical harmony in the coastal reeds” (an epigraph to the poem) Christian overtones, and the biblical “voice crying in the wilderness” that was not included in the final edition.
F. I. Tyutchev is trying to cognize the boundless worlds of the unknown: the mysterious "ocean" of universal existence and the innermost sides of the human soul. This is a very characteristic poem for the poet, where the phenomenon in nature is similar to what happens in the human soul. Spontaneous disputes shake not only nature, but also the inner life of a person, enriching it with a variety of feelings, but more often leaving behind the pain of loss and spiritual emptiness.
"And from the earth to the extreme stars
All unanswered to this day.
Voice in the wilderness,
Souls of desperate protest.
Reading the poem “There is melodiousness in the sea oxen…” you understand that the author’s thoughts become your personal thoughts. Tyutchev's thought always merges with an image taken from the world of the soul or nature, is imbued with it, and it itself penetrates it inseparably and inseparably. This is the mystery of the poetry and philosophy of F. I. Tyutchev.
Genre: lyric poem (type of lyrics - landscape, philosophical).
COMPOSITION AND PLOT
Compositionally, the poem in the form of a lyrical fragment is divided into three parts.
Part 1
The idea is expressed that in the world of nature everything is subject to the universal law of harmony: "An imperturbable order in everything, // Full consonance in nature."
Part 2
Awareness of the discord of mankind with nature: "Only in our illusory freedom // We are aware of the discord with it."
Part 3
The lyrical hero is trying to understand the reasons for human isolation from the natural world: “Where, how did the discord arise?”; he admits that human freedom is "illusory".
5 / 5. 6
