Eugene Onegin how the hero of the novel changes. How does the protagonist of the novel by A. S. Pushkin "Eugene Onegin" change under the influence of life circumstances? (USE in Russian). Anton Pavlovich Chekhov "Student"
Eugene Onegin was a young Petersburger, at the time of the beginning of the novel he was twenty-six years old. The author briefly describes his life: he learned “something and somehow”, that is, he was completely unaccustomed to serious consistent work. But since he was endowed with natural abilities to a sufficient degree, they still had to show themselves in some way.
He began to lead a secular life at the age of sixteen, and very soon he got bored with it, because it was predictable and monotonous. At the same time, she largely corrupted Yevgeny, who was already unaccustomed to tension (“But was my Yevgeny happy?”). Hypocrisy and cold flirting killed youthful daydreaming and romance in him, made him a bored cynic. Eugene skillfully portrayed feelings in order to succeed in secular society (“The less we love a woman, / The easier she likes us”). But having become a virtuoso in this game, having reached the limit, he involuntarily went beyond him and was disappointed ("He looked in great distraction, / Turned away - and yawned").
This happened because a person can, of course, adapt to almost any system of relations, only in this case such adaptation will be accompanied by certain reactions (“In short: Russian blues/ Gradually took possession of him-gu”). A person has a well-defined moral nature; a person, when called, is a creator who sincerely loves other people. But in order to reveal the true purpose of this or that person, it is desirable that he exist in an appropriate social environment that stimulates precisely the highest, creative principle. If society is built on distorted foundations, then a person is distorted under its influence. He can resist the curved environment, but then his position will be stamped with drama.
Eugene Onegin was not an outstanding person in order to be able to cope with the corrupting influence of a wrongly organized society, but he clearly understood its falsity and removed himself from such a life. At the same time, he did not find an equivalent replacement, because his seclusion would be good if he worked hard systematically, but "hard work was sickening to him." At the same time, he was a caring owner. The author, completely without irony, reports that Onegin “read Adam Smith” and “He replaced the old corvée with a yarem / I replaced the quitrent with a light quitrent.”
In the village, he continued to miss. Having met Vladimir Lensky, he fell in love with him, because he reminded him of his younger years, when he himself was full of energy, ebullient and hot, before he had time to become disillusioned with the world he so passionately aspired to. Onegin was captivated by the spontaneity and originality of the young friend (“He listened to Lensky with a smile”, “He tried to keep a cooling word / He tried to keep it in his mouth”).
A chance acquaintance with the Larin family did not inspire Onegin a bit, but he already singled out Tatiana:
"Are you in love with a smaller one?" "And what?" - "I would choose another, If I were like you, a poet ..."
A striking fact - the girls were not even introduced to the new guest.
Onegin’s sudden love for Tatyana did not evoke a response - he was still too satiated, “But he did not want to deceive / The gullibility of an innocent soul” and was able to adequately explain himself to Tatyana, giving her her due:
If I were captivated by the family picture, even for a single moment, - That would be true, except for you alone, I would not look for another Bride.
It was not for nothing that Eugene Onegin withdrew from the world. He continued to be a noble man, although his nobility was passive. The quarrel with Lensky was entirely invented by him. He himself was well aware of this (“Having called upon himself to a secret court, / He accused himself of many things ...”), but turned out to be unable to get away from the formal habits and rules of the world, even having actually left it. High-society games and masks in his soul turned out to be stronger than the firm awareness of the episode (“But wildly secular enmity / Afraid of false shame”). He was frightened of the "whisper, laugh fools" and killed his friend, thereby killing something in himself. material from the site
Onegin left because he wanted to escape from himself, but he did not have the spiritual strength for deep repentance and a change in life. A meeting with Tatyana a few years later struck him. Tatyana turned into a goddess, retaining her spiritual power, and Onegin realized that his flight was in vain.
But at a late and fruitless age, At the turn of our years, The dead trail of passion is sad...
One way or another, life led Onegin to the logical conclusion of his youth - this is a complete collapse, which can be experienced only by rethinking the previous life in the most cruel way. To enhance the effect, Pushkin made Onegin fall in love with Tatyana, but it could have been another woman. The bottom line is that the masks and roles inspired from early youth suffer a severe defeat, and life thus gives the hero a chance to renew moral feelings, a chance for new meanings of existence. It is known that in the last, encrypted chapter, Pushkin brings his hero to the camp of the Decembrists.
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Pushkin's novel "Eugene Onegin" is a work that tells us about the life of a secular young man and how Eugene Onegin changes throughout his life.
How does Eugene Onegin change?
To the question: “Has Onegin changed?”, There will be a positive answer. Why did Onegin change? Everything is very simple. In his novel, the author covered a long period of time that concerned the life of the protagonist. First we see an eighteen-year-old guy, and at the end of the novel, this is a twenty-six-year-old young man. During this period of time it is impossible not to change, so Eugene Onegin has gone through his evolution and these changes are well traced.
How exactly does Onegin change throughout the novel? Immediately we see a spoiled guy, a typical rake, who devotes all his time to entertainment and talking about nothing. He learns without going into details, as Pushkin writes "something" and "somehow." Onegin dresses in the latest fashion and is constantly among high society. But he was tired of such a monotonous, aimless life, and here we see how the main character Onegin changes. He changes the life of a dandy for life on the estate and even finds an interesting occupation for himself, however, not for long.
Rural life quickly got tired and "from nothing to do" he makes a friend in the person of Lensky, who introduced Onegin to the Larins. When he met Tatyana, he failed to pass the test of love, as he was not capable of sincere feelings. Yes, and it was not long. Lensky dies in a duel, and then Onegin realizes how terrible and terrible an act he has committed. This murder changed his life. Unable to survive this act, he travels, and when he returned, he became a slightly different person. Now Onegin is serious, attentive, strong feelings are not alien to him, which he had not previously suspected. So, when he met Tatyana again at the ball, who by this time was already married, he really fell in love. Now he also became aware of feelings of jealousy and suffering.
Has Tatyana's attitude towards Onegin changed? Yes and no. If we talk about feelings, then love has not passed. But her opinion about Onegin changed, and if at first he seemed to her a hero from her favorite novels, then, having visited his house, she realized that he was an ordinary young man. For her, his original appearance was lost, he became just an imitation of her dreams.
We get acquainted with Eugene Onegin at the beginning of the first chapter, the origins of the character of E.O. are gradually revealed to us, namely his upbringing and lifestyle. It can be said about Onegin that he was not sufficiently educated. We learn that the hero was brought up, like all the capital's aristocrats of that time. His father, who had a military rank, liked to live in a "big way". Therefore, over time, he went bankrupt, letting all his fortune "downwind." The father did not pay any attention to the upbringing of Eugene - the boy was raised by French governesses and tutors. " We all learned little by little, something and somehow». « Onegin was, in the opinion of many (decisive and strict Judges), a small scientist, but a pedant: he had a happy talent without compulsion in conversation touch everything lightly, with the learned air of a connoisseur, to remain silent in an important dispute, and to excite the smile of the ladies with the fire of unexpected epigrams". most « beloved» science for the hero was " the science of tender passion". What was the wisdom of this science? In, to lie, to flatter, to play, but at any cost to achieve your goal. It is important that true feelings in this science were not valued at all, had no meaning.
Secular entertainments - balls, restaurants, theaters, which succeeded each other in a whirlwind - this is how Onegin's life went. Pushkin emphasizes that Eugene led a life typical of his circle, which consisted of an idle " doing nothing»: « He wakes up at noon, and again until morning his life is ready, monotonous and motley.».
And at one fine moment, Onegin got bored with everything that surrounds him - the light and what he has to offer. The hero was defeated by the Russian " blues”, which he tried to overcome in a variety of ways - by reading books, moving away from the world, the desire to travel, and so on. At that time, Onegin was distinguished " involuntary devotion to dreams, inimitable strangeness and a sharp, chilled mind».
Thus, in the first chapter of the novel, Onegin is presented as an ambiguous person. At first glance, it is clear that the hero has great internal potential. And at the same time, since childhood, he has been a slave to the light, the way of life and thought imposed on him.
The hero is trying to do some useful activity "yawning, took up the pen." But the lordly perception and lack of habit of work played a role, so Onegin does not complete any of his undertakings. In the village, he tries to organize the life of the peasants. But, having carried out one reform, he safely abandons this occupation.
Having cooled down to society, having become disillusioned with people, Onegin sincerely becomes attached to Lensky. But the fate of the hero develops in such a way that he kills his friend in a duel, succumbing to class prejudices, frightened by the "whisper, laughter of fools." At this moment, the hero could not rise above the opinion of society, which he himself despised in his soul.
Because of his own selfishness, he rejects Onegin and the sincere love of Tatyana Larina. But the hero is not devoid of such a quality as "the soul's direct nobility." So, he does not give Tatyana empty hopes, telling her the truth that he cannot reciprocate her feelings.
In a depressed state, Onegin leaves the village and begins to wander around Russia. In these journeys, the hero overestimates his life, his actions, his attitude to the surrounding reality.
After the trip, the scale of Onegin's attitude changed. Now he has become a “stranger” for the “light” (and he was “very nice”). Intense experiences, reflections enriched his inner world. From now on, he is able not only to analyze coldly, but also to deeply feel and love. For Pushkin, love is an opportunity to "awaken the soul." After Tatyana's refusal, after the moral shock at the end of Onegin's novel must start a new life, it can no longer develop in the same direction.
on literature. 2016
Why did Raskolnikov return to the office when he saw Sonya?
Seeing Sonya, Raskolnikov returned to the office, because the girl was a kind of "anchor" of the hero, warning him from bad actions and guiding him to salvation.
It was Marmeladova who pushed Rodion to confess. The author portrayed this character to save the soul of Raskolnikov, who got lost in his own theory. Before coming to the office, Rodion promised the believing Sonya that he would confess, because murder is one of the gravest sins. It was very difficult for the hero to tell the truth. However, when he saw Sonya, who appeared before him as a reminder of a promise, stepping over himself, "with pale lips, with a fixed look," the hero took this decisive step towards his salvation.
I believe that it was precisely because of his vow that Raskolnikov gathered his will into a fist and returned to the office again.
In what works of Russian literature do the characters go through difficult life trials and deep disappointments, and in what way can these characters be compared with Raskolnikov?
There are many works whose heroes go through difficult life trials and deep disappointments.
For example, the character of Turgenev's novel "Fathers and Sons" is Yevgeny Bazarov. The hero is a nihilist, he denies all generally accepted norms of behavior. However, a turning point happens in his life, which served as a kind of test for him. Eugene unrequitedly fell in love and realized that the theory of his views is imperfect and there really is a bright feeling in the world - love. Having experienced a difficult time for himself, the hero became disillusioned with life, so he devoted himself completely to work. Like Raskolnikov, Bazarov's life after the turning point was monotonous, filled with experiences. Each hero has experienced a strong shock, which can be interpreted as punishment or deliverance. Bazarov dies from blood poisoning, and Raskolnikov was sent to hard labor. These moments helped the heroes to comprehend the true values in life. Bazarov says goodbye to Odintsova and his parents, he understands how much these people mean to him. And Rodion got a chance to repent of his sin and start life anew, together with Sonya.
Another character who experienced trials and deep disappointments is Evgeny, the hero of A. S. Pushkin's poem "The Bronze Horseman". The life of the character was calm and monotonous. He dreamed of quiet family happiness with his beloved Parasha. However, everything changed after another flood in St. Petersburg. The "Neva sovereign current" carried away Parasha's house. For the hero, this was a severe blow, after which he could not recover. All his plans and dreams collapsed with her. The author portrays a "little man" who was able to challenge society. In order to find the strength in himself for such an action, Eugene had to overcome the difficulties of accepting reality and endure utter disappointment in life. The hero could not cope with the load that had fallen on him and went crazy, and later died on one of the streets of St. Petersburg.
I believe that literature depicts many heroes with complex life histories, and the heroes of Turgenev's novel and Pushkin's poem are just a few of them.
Why is the “condescension” of the first snow appearing in the poem “Walkingsnow…” as a significant event, a turning point in a person’s life?
The "condescension" of the first snow in the poem "It was snowing ..." appears as a significant event, a turning point in a person's life, because it symbolizes a new, clean page of life for the heroes, which remains their kind of utopia.
It was at the moment of a serious conversation between the couple that the first snow fell. Nature created the right atmosphere for the heroes, allowed them to believe "in a bright dream." The author depicts a clean land, powdered with white snow, and as if giving them a chance for a new life, started from the same snow-white leaf. However, at the same instant, the heroes came to their senses, all that fictional fairy tale was left behind, but in reality, “the delight of the soul replaced despair ...”.
I believe that the "indulgence" of the first snow symbolizes the possible beginning of a new life, a new round of relationships, which is why it is of such great importance for the couple.
In what works of Russian poetry is the beneficial effect of nature on man shown and in what ways are they similar to the poem by V.N. Sokolov?
Many works of Russian poetry show the beneficial influence of nature on man.
For example, Yesenin's poem "Birch". In it, the lyrical hero also describes the actions taking place in winter. He, too, sees the beauty of the winter landscape in a special light. In Yesenin's poem, snow "is like silver" covers nature, it turns golden at dawn and covers the world around us with new canvases of winter velvet. The author expresses that thanks to this beauty, a person feels all the charm of his native home and admires its expanses. As in Sokolov's poem, the hero notices the beauty of the world around him and notes the uniqueness of the winter landscape.
In Pushkin's work "Winter Morning" the hero also notes the beauty of the winter landscape, also compares the new day with the beginning of a new, fresh life. But Pushkin's life appears as something figurative and distant, starting in the morning of a sunny, frosty day. And Sokolov has a chance for a “clean slate” along with the first snow. During the description of the winter landscape, the heroes of each work manage to experience a whole host of feelings. In Pushkin, the character is impressed by the views of the winter morning, nature gives him a breath of "fresh air" and makes him show even more zeal for life: "It's nice to think by the couch. But you know: should not order the brown filly to the sled? Whereas in Sokolov's characters only for a moment succumb to the magical charms of nature and think about a brighter future.
I believe that it is in these poems that the beneficial influence of nature on man is most clearly shown.
How the main character of A.S. Pushkin's "Eugene Onegin" under the influence of life circumstances?
A.S. Pushkin is a great writer and poet of our Fatherland. "Eugene Onegin" is one of the author's most famous works. Pushkin himself defined its genre as a novel in verse. And indeed, there is a rhyme in the work, but at the same time, a large branched plot can be traced in it. In addition, especially for writing this work, the author came up with his own poetic size - the Onegin stanza. There are a number of distinctive features that allow the reader to distinguish this work for himself.
Some of them are in the story itself. The protagonist of the novel is Eugene Onegin. It is for the life story of this character that the reader follows the entire work. The novel begins with a description of Eugene's idle life in the city. We see a young man who entertains himself like the whole secular society of that time: balls, evenings, restaurants. The author depicts an "extra person" who cannot find a place for himself among other people. Such a life bored Onegin. Eugene's habitual life is disturbed by the news of his uncle's death. This event forces the "young rake" to move to the village.
There Onegin continues to mope. However, it is in the village that the best qualities of the hero are manifested. For example, in order to make life easier for his peasants, he introduces quitrent instead of corvée. In the village, he met a new man for him - Vladimir Lensky. The life story of this man left a mark on Onegin's life. Eugene treated Lensky tolerantly and condescendingly, because in the village it was his only company. However, after the ball at the Larins, when the hero hit on Vladimir's beloved, a duel took place between them, in which Onegin killed his comrade. He was never able to go against the rules of society and not appear for a duel. But thanks to these events, we see another hero - a sufferer who sincerely worries about the fate of young Vladimir.
Also in the village, Onegin was able to meet a girl who loved him with all her heart - Tatyana Larina. Unfortunately, Eugene valued his freedom too much, so he did not reciprocate the girl. At the moment, for him, her feelings are just a game, a childish delusion. He did not appreciate the gift that Tatyana could give him. Thus, Onegin disappointed the girl and doomed her to the suffering of unrequited love.
After the duel, Eugene was forced to leave. The next time the reader can see the hero after a certain period of time. He meets an old friend at one of the secular evenings. A friend introduces Onegin to his wife, who, by chance, turned out to be the same Tatyana Larina. Eugene immediately falls in love with a new woman for him, who struck him with her beauty. At this moment, we can see another Onegin - a truly suffering, loving hero. There is no trace of an arrogant person. This is evidenced by his ways to achieve the heroine. Knowing that Tatyana is married, he continues to write letters to her, to which he never receives an answer. Once, having come to her house and finding her alone, he declares his love to her, but Tatyana remains faithful to her husband and does not succumb to the words of Eugene.
Thus, we can observe a peculiar evolution of the hero: from an arrogant egoist to a feeling and loving person. I believe that Yevgeny's life path is very complicated, therefore it requires special attention of the reader. The author ends his work in such a way that we can figure out for ourselves whether this suffering “extra person” found his place or remained outside the whole society.
Irina Seryozhenko
To complete the task, select only ONE of the four proposed essay topics (17.1-17.4). Write an essay on this topic in a volume of at least 200 words (if the volume is less than 150 words, the essay is rated 0 points).
Explanation.
Comments on compositions.
17.1. How does the protagonist of the novel by A. S. Pushkin "Eugene Onegin" change under the influence of life circumstances?
A. S. Pushkin reveals the character of the protagonist, Eugene Onegin, in various ways: through an internal monologue, portrait, actions, attitude towards others. The events taking place in the novel cover a large period of time (at the beginning of the novel, Onegin is eighteen years old, at the end - twenty-six). The author shows the evolution of the hero. The reader sees the changes that have taken place in Onegin.
In the first chapter, this is a spoiled young man who is "cut in the latest fashion, dressed like a dandy in London", "a small scientist, but a pedant", idly, killing time in endless entertainment.
Once in the village, Onegin is also unable to do anything useful. Two days later, the village bored Yevgeny. Yielding to the persuasion of Lensky, his "nothing to do" friend, Onegin meets the Larin family. Onegin also does not stand the test of friendship: he kills Lensky in a duel. As, however, it does not stand the test of love: the hero is not capable of sincere feelings.
In the eighth chapter, we meet again with our hero. Several years have passed, he, as before, is lonely, having not found something to his liking (“Lagging in the idleness of leisure Without service, without a wife, without work, | He did not know how to do anything”), he comes to St. Petersburg. Seeing Tatyana at the ball in a new capacity, in the form of a "legislator of the hall", Onegin is amazed and ... falls in love. Now he is already suffering, looking forward to meeting her, tormented by jealousy. In all other respects, our hero has not changed, but the author shows that Onegin truly loves!
Onegin is one of the "superfluous people". Society, the social order, made him that way. It is difficult to disagree with Belinsky's opinion that Onegin is a "suffering egoist."
17.2. What is the meaning of the images of Barbara and Kudryash in A. N. Ostrovsky's play "Thunderstorm"?
The secondary characters in Ostrovsky's play "Thunderstorm" not only form the background against which the personal drama of Katerina, the main character of the work, unfolds. They show people's attitudes towards their lack of freedom. The system of images in the play is such that all secondary characters form conditional pairs, and only Katerina is alone in her true desire to escape from the oppression of "tyrants".
Katerina's constant companion is Varvara, the sister of her husband Tikhon. She is the main opponent of the heroine. Her main rule: "Do whatever you want, if only everything was sewn and covered." You can’t deny Barbara’s intelligence and cunning, she perfectly understands the essence of relations between people in their house, but does not consider it necessary to fight mother’s “thunderstorm”. For her, lying is the norm. It feels power, strength, desire to deceive. She, in fact, is the future Boar, because an apple does not fall far from an apple tree.
Varvara's friend, Ivan Kudryash, is a match for her. He is the only one in the city of Kalinov who can answer Wild. In conversation, he behaves cheekily, smartly, boldly, boasts of his prowess, red tape, knowledge of the "merchant establishment". He adapted to the tyranny of the Wild. Moreover, one can even assume that Curly could have turned into a second Wild.
At the end of the play, Varvara and Kudryash leave the "dark kingdom". What is their next path? They are likely to try to become masters of life themselves.
17.3. What is the complexity and ambiguity of the image of love in the lyrics of A. A. Akhmatova?
The theme of love in Russian literature is multifaceted: love as the meaning of life, unhappy love, love as a test - just a few approaches to the disclosure of the topic. In Akhmatova's poems, love is a breath of fresh air, without which life itself is not conceivable, it is tragedy and disappointment, it is flight and suffering. "Great earthly love" - this is how you can define the essence of Akhmatova's lyrics. The poet depicts not romantic exaggerated feelings - she speaks of simple and earthly human happiness. In Akhmatova's early lyrics, love often appears tragic and unrequited.
Don't like, don't want to watch?
Oh, how beautiful you are, damned!
And I can't fly
And from childhood she was winged.
Yes, love is beautiful, but, oddly enough, according to Akhmatova, it is almost always doomed to misfortune:
Thrown! invented word.
Am I a flower or a letter?
Bitter irony is heard in these words. Yes, she is rising, she will overcome her illness, and in many years she will be writing in the same restrained rhythm, in the same meter, about an immeasurably more terrible tragedy.
I have a lot to do today:
We must kill the memory to the end,
It is necessary that the soul turned to stone,
We must learn to live again...
In one of her poems, Akhmatova called love "the fifth season." And there is nothing surprising in the fact that love is at the center of Akhmatova's poetic world: love always determines the fate of a woman.
Anna Akhmatova's poems about love captivate with their clarity, conciseness of form and wisdom of content: “How many requests does a beloved always have! A loved one does not have requests. How glad I am that now the water under the colorless ice freezes.
Akhmatova's poetry is a confession of a woman's soul in love. The poetess, according to O. Mandelstam, "brought to Russian lyrics all the enormous complexity and psychological richness of the Russian novel of the 19th century."
17.4. Motif of the way in the works of Alexander Blok.
The motive of the path arises in Blok's work almost from the very beginning: the new hero of the young Blok is a traveler who declares himself like this: "I am standing on the royal path."
In the cycle “Poems about the Beautiful Lady”, the motif of the path, wanderings, search decreases, although the “landscape of the path” is preserved:
I went out. Slowly descended
On the ground the twilight of winter.
The poet strives for its callegorical expression: it is not by chance that in the poems of the “late Blok” allegorical expressions associated with the motive of the path-road are so often found, for example, “hoping to find ways”, “our path is
the arrow of the Tatar ancient will pierced our piles), “and my path is far”, “the road is long and easy”, “we are clearing the path”, etc.
In the poem "The Twelve" there is also a motive of the path:
Twelve people are coming...
Russia has chosen its own path, and Blok, as a faithful son of his country, will have to follow this path.
