Presentation on the theme of lyria in the work of Vysotsky. Interrupted flight of Vladimir Semyonovich Vysotsky (military lyrics of the poet) - presentation. III. Vysotsky - singer of the people's will
Goals and objectives: To get acquainted with the work of Vladimir Vysotsky. Show how the military theme is reflected in poetry.
Born on January 25, 1938 in Moscow in the family of a military signalman. In 1947-1949 lived with his father and his second wife in the city of Eberswalde-Finow (Germany), then returned to Moscow. While studying at school, Vysotsky studied in a drama club and wanted to enter a theater institute, but at the insistence of his parents he passed the exams at the V. V. Kuibyshev Moscow Construction Institute, from which he soon left. In the summer of 1956 he entered the V. I. Nemirovich-Danchenko School-Studio at the Moscow Art Theater. After graduating from the studio (1960), he worked at the Moscow Drama Theater named after A. S. Pushkin and at the Moscow Theater of Miniatures. Then he began acting in films. In 1964 he was admitted to the Moscow Taganka Drama and Comedy Theater, where he worked until the end of his life. The artist played more than 20 roles on the Taganka stage, of which the role of Hamlet from Shakespeare's tragedy of the same name is most famous. In 1960-1961 Vysotsky's first songs appeared. During his life he created about a thousand of them. Not officially recognized, bypassing radio, television, print, thanks to tapes, Vysotsky's songs became known to everyone. Many songs and ballads were intended for movies. In 1966, Vysotsky starred in the film "Vertical" and wrote five songs for it. In total, he played in 30 feature films. Last years Vysotsky's life was dramatic. With nationwide popularity, he could not achieve the publication of his poems, the release of records; hard experienced the persecution unleashed in the press. In 1987, for the role of MUR captain Gleb Zheglov in the five-episode television film directed by S. S. Govorukhin “The meeting place cannot be changed,” he was posthumously awarded the State Prize of the USSR.
The most tragic, critical periods in history leave the brightest trace in art. This is confirmed by songs and poems about the Great Patriotic War. They are sung and read by many generations Soviet people. Songs and poems of the war years are the musical and poetic chronicle of the Second World War. They were often born on the front lines, soldiers on the difficult front roads, old men, women, teenagers who worked in the rear did not part with them. These songs and poems helped them to live, to believe in victory. Modern poets also do not remain indifferent to the theme of the Second World War. There are many of them, but I want to dwell on the lyrics about the war by Vladimir Semenovich Vysotsky.
The ships stand and lie down on the course, But they return through bad weather. In less than half a year, and I will appear, To leave again, to leave again for half a year. In less than half a year, and I will appear, To leave again, to leave again for half a year. Everyone returns, except for the best friends, Except for the most beloved and devoted women. All return. except for those who are needed I do not believe in fate, I do not believe in fate, and myself even less. Everyone returns, except for those who are needed more. I do not believe in fate, I do not believe in fate, and myself even less. But I want to believe that it's not, That burning ships will soon go out of fashion. I, of course, will return all in friends and in dreams, I, of course, will sing, of course I will sing, not even half a year will pass. I, of course, will return all in friends and in dreams, Of course I will sing, of course I will sing, not even half a year will pass.
Why is everything wrong, everything seems to be the same as always The same sky is blue again, the same forest, The same air and the same water Only he did not return from the battle The same forest, the same air and the same water Only he did not return from the battle To me now I don’t understand which of us was right In our disputes without sleep and peace I didn’t miss him only now When he didn’t return from the battle He was silent out of place and sang out of time He always talked about something else He didn’t let me sleep He with the sunrise got up And yesterday he didn’t return from the battle That it’s empty now is not about that conversation Suddenly I noticed there were two of us For me it was as if the fire was blown out by the wind When he didn’t return from the battle Today spring broke out as if from captivity By mistake I called him in response to silence He did not return from the battle yesterday We had enough space in the dugout, We and the time flowed for both. All are now alone. It just seems to me that I did not return from the battle. A PHOTO
Only an hour is given for shelling - Only an hour for the infantry to respite, Only an hour to the most important things: To whom - to the order, but to whom - to the "tower". During this hour we do not write a single line - Pray to the gods of war gunners! After all, we're not just like that - we are fined, We can't write: "...consider a communist." Before the attack, vodka - that's mura! We drank ours back in civilian life. Therefore, we do not shout "Hurrah" - With death, we play silent. Punishers have one law, one end - If you chop a fascist tramp, And if you don't catch lead in your chest - You'll catch a medal on your chest for courage. You strike with a bayonet, but rather strike with your hand - It is more reliable, and it is quieter, And if you stay alive - Walk, flaw, from the ruble and above! Considers the enemy: morally we are weak - Behind him and the forest, and the city burned. You better cut wood into coffins - Penal battalions are going into the breach! Here are six zero-zero - and now the shelling. . . Well, god of war, come on without a break! Only an hour before the most important things: To whom - to the order, and to the majority - to the "tower". . . A PHOTO
Meanwhile, in the military songs of Vysotsky, the feelings and thoughts of the soldiers who defeated the enemy in the most cruel and bloody war are extremely accurately conveyed. Being the son of a front-line officer and living with him among the military, he knew their life well, heard a lot from his father and his front-line friends about the war.
On April 16, 1980, the last shooting of Vysotsky's concert in the Leningrad Bolshoi Theater took place, where he performed the songs "Fussy Horses", "Domes", "Hunting for Wolves" and talked about his work. A fragment of this shooting was included in the program of V. Vinogradov "I return your portrait". On the reverse side of the double album "Sons Go to Battle" there are photos from this concert. On June 22, 1980, one of Vysotsky's last concerts took place (in Kaliningrad), at which he became ill. On July 3, 1980, Vysotsky performed at the Lyubertsy City Palace of Culture in the Moscow Region, where, according to eyewitnesses, he looked unwell, said that he was not feeling well, but he was cheerful on stage and, instead of one and a half scheduled hours, played a two-hour concert.
On July 14, 1980, during a performance at the NIIEM (Moscow), Vladimir Vysotsky performed one of his last songs - “My sadness, my longing ... Variation on gypsy themes”. On July 16, he held his last concert in Kaliningrad (now Korolev) near Moscow. On July 18, 1980, Vysotsky appeared for the last time in his most famous role at the Taganka Theater, in the role of Hamlet - a production of the same name based on Shakespeare. On July 25, 1980, Vysotsky died in his sleep in his Moscow apartment.
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MILITARY LYRICS V.S. VYSOTSKY. Class hour for grade 10 teacher Smelova M.M. MOU "Pytalovsky secondary school" Pytalovsky district of the Pskov region.
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Goals and objectives: Education in students of patriotic feelings, love for the Fatherland, respect for military personnel and war veterans. Show how the military theme is reflected in poetry.
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To all who ever defended and defended the Motherland, as well as to those who died in battles during the Second World War, in Afghanistan, Serbia and Croatia, in Chechnya, to all who are now serving the Fatherland: both privates and officers .
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The most tragic, critical periods in history leave the brightest trace in art. This is confirmed by songs and poems about the Great Patriotic War. They are sung and read by many generations of Soviet people. Songs and poems of the war years are the musical and poetic chronicle of the Second World War. They were often born on the front lines, soldiers on the difficult front roads, old men, women, teenagers who worked in the rear did not part with them. These songs and poems helped them to live, to believe in victory. Modern poets also do not remain indifferent to the theme of the Second World War. There are many of them, but I want to dwell on the lyrics about the war by Vladimir Semenovich Vysotsky.
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There are people who rush into our destiny like a meteor, leaving behind a bright, indelible mark. They still become a legend during their lifetime, the mere mention of their name warms our souls, makes us kinder and cleaner. Such a person was Vladimir Semenovich Vysotsky - a singer, poet, artist and musician. His star, shining on the creative horizon, left the earthly world forever. But her light did not go out - it is in poems and songs, heroes played in the theater and cinema, in Vysotsky's frantic voice, which sounds from tapes and records. The memory of him lives in the names of the tanker and the small planet - the asteroid Vladvysotsky. It is no coincidence that the poet's widow Marina Vlady proposed to erect a monument on the grave of Vysotsky in the form of a meteorite stone with a laconic inscription: "Vladimir Vysotsky 1938 - 1980."
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I will not dwell on the biography of this poet, since quite recently a film about V.S. Vysotsky was on TV. But one of the leading places in his poetry is precisely the military theme. There is a cycle of poems, which is called "Common Graves", it is named after the title of his poem-song. Listen to her. -The song "Common Graves" sounds.-
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Everything connected with the army, with the people who serve in it, with the defense of the fatherland, was for Vysotsky an extremely sacred concept. When we listen to his songs or read his poems, it is hard to imagine that they were written by a person who did not walk difficult front-line roads, did not burn in a tank, did not go on reconnaissance, did not fight in an air battle, did not bury his fighting friends, and, moreover, - not day without serving in the army. The poem "The one who did not shoot."
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Meanwhile, in the military songs of Vysotsky, the feelings and thoughts of the soldiers who defeated the enemy in the most cruel and bloody war are extremely accurately conveyed. Being the son of a front-line officer and living with him among the military, he knew their life well, heard a lot from his father and his front-line friends about the war.
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Poem "Stars". - The theme of the war for Vysotsky is, first of all, the theme of gratitude to those who did not live to see the Victory, and to those who survived, having gone through all the roads of the war. The sincerity and patriotism of his military songs are close and understandable not only to veterans, but also to the new generation who did not know the war, they awaken a sense of pride in their people, in their native land.
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Fewer and fewer of you, participants in the war, Fragments roam, leave forces, Take your time - you should not - To fellow soldiers in mass graves. The poem "Volleys have long been silent ..." Page 68, 1 t
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In our time, you know, there is also a threat to die at the hands of terrorists. An example of this is the death of schoolchildren on September 3 in Beslan. Nobody is immune from this. Therefore, I ask everyone to stand up and honor the memory of your fallen peers with a minute of silence. A moment of silence. -
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On April 16, 1980, the last shooting of Vysotsky's concert in the Leningrad Bolshoi Theater took place, where he performed the songs "Fussy Horses", "Domes", "Hunting for Wolves" and talked about his work. A fragment of this shooting was included in V. Vinogradov's program "I am returning your portrait." On the reverse side of the double album "Sons Go to Battle" there are photos from this concert. On June 22, 1980, one of Vysotsky's last concerts took place (in Kaliningrad), at which he became ill. On July 3, 1980, Vysotsky performed at the Lyubertsy City Palace of Culture in the Moscow Region, where, according to eyewitnesses, he looked unwell, said that he was not feeling well, but he was cheerful on stage and, instead of one and a half scheduled hours, played a two-hour concert.
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Monument at the grave of Vysotsky at the Vagankovsky cemetery. Sculptor - A. Rukavishnikov
Biography. Childhood.
Vladimir Vysotsky was born on January 25, 1938, at 9:40 am in Moscow in the maternity hospital No. 8 of the Dzerzhinsky district of Moscow on Third Meshchanskaya Street. He spent his early childhood in a Moscow communal apartment on 1st Meshchanskaya Street, 126. During the Great Patriotic War in 1941 - 1943 he lived with his mother in evacuation in the village of Vorontsovka, 25 km from the district center - the city of Buzuluk, Chkalovsky (now - Orenburg) region. In 1943 he returned to Moscow, on 1st Meshchanskaya Street, 126. In 1945, Vysotsky went to the first grade of the 273rd school in the Rostokinsky district of Moscow.
mature years
An important stage in life is work at the Moscow Drama and Comedy Theater on Taganka. Poetic and song creativity, along with work in the theater and cinema, became the main business of his life. V. S. Vysotsky worked at the Taganka Theater until the end of his life.
His contribution to the history of the "Russian Hamlet" can hardly be overestimated. Premiere of "Hamlet" with V.S. Vysotsky in the role of "the son of the former and nephew of the current king" took place on November 29, 1971 at the Moscow Taganka Theater.
Vysotsky - actor
With the participation of Vysotsky, such wonderful films as "Two Comrades Served", "Vertical" and many others were created. I want to note the role of V.S. Vysotsky in the film "Vertical". It was then that he learned the basics of climbing mountain peaks.
Vysotsky wrote over 100 poems, about 600 songs and a poem for children (in two parts), in total, he wrote about 700 poetic works.
Creation. Poet and bard V. Vysotsky.
The beginning of poetic activity
Unusually for a poet, Vladimir Semenovich began his work. His first works were parodies of the so-called thug folklore. In the early 1960s, Vysotsky's first songs appeared. The song "Tattoo", written in 1961 in Leningrad, is considered by many to be the first. Vysotsky himself repeatedly called her such. This song marked the beginning of a cycle of "thieves" themes.
Songs about the war occupy a special place in the work - these are songs of real people, strong, tired, courageous and kind people. I read the memoirs of the father of the poet Semyon Vladimirovich Vysotsky:
“Of course, I talked a lot to Volodya about the Prague operation and about other battles in which I happened to participate. In general, when we talked about the war at home, he forgot about everything - about lessons, about playing with friends. I could listen to adults for hours.
Acquaintance with Marina Vladi
In July 1967, Vladimir Vysotsky met the French actress of Russian origin Marina Vlady (Marina Vladimirovna Polyakova), who became his third wife (December 1970).
famous bard guitar
With this guitar, Vladimir Vysotsky on the filming of the film panorama on January 22, 80, on the video filming of V. Vinogradov and photographs by V. Mekler, taken on April 16, 1980, during the concert of Vladimir Vysotsky in Leningrad on the Small Stage of the BDT, Vysotsky spoke about the same guitar in the Monologue ”, at concerts, and, finally, at the last home concert at the Viners on June 30, 1980, Vladimir Vysotsky said that this guitar was the best ...
Vysotsky lived a short but turbulent life, experienced the joy of victory and the bitterness of defeat. And the song "Rope Walker" best of all reflects his path:
He laughed at the mortal glory,
But I just wanted to be first.
Try this one!
Look - here he is
Goes without insurance
Slightly to the left of the slope, -
Still can't be saved
But he must really need to get through
Four quarters of the way.
I want to finish the abstract with the words of the son of Vladimir Vysotsky - Nikita:
There are no prophets in my Fatherland,
And now the conscience is gone.
He will no longer sing to everyone about anything,
And you can live without worrying at all.
January 25, 1938 - Vladimir Vysotsky was born in Moscow. September 1, 1945 - I went to the first class of the 273rd Moscow school for a year - I left with my father and stepmother for Germany, the city of Eberswald. October 1949 - Returned to Moscow. Settled in Bolshoy Karetny, year - Graduated from the 10th grade of the 186th male school. Entered MISI them. Kuibyshev. early 1956 - left the institute and entered the Moscow Art Theater School. May 1958 - Married a student of the Moscow Art Theater School Izolda Zhukova. June 1960 - Graduated from the Moscow Art Theater School. I got a job at the A. Pushkin Theater, then at the Miniature Theater for a year - The first song was written - "Tattoo". autumn 1961 - In Leningrad, he met film actress Lyudmila Abramova, his future second wife. November 1962 - Vysotsky and L. Abramova had their first son - Arkady.
May 1964 - At the insistence of his parents, Vysotsky first goes to the hospital, is treated for alcoholism. August 1964 - The second son, Nikita, was born. September 1964 - Enrolled in the staff of the Taganka Drama and Comedy Theater year - First solo concerts in Moscow. By that time, he had already written about a hundred songs. summer 1966 - The Taganka Theater premiered - "The Life of Galileo", starred in two films: "Vertical" and "Short Encounters". The first flexible disc with Vysotsky's songs from the film "Vertical" saw the light of the year - He starred in the films: "Two Comrades Were Serving" and "Intervention". The last film was not released during his lifetime. July 1967 - In Moscow, he met the French film actress Marina Vlady. March 1968 - Vysotsky was fired from the Taganka Theater, then re-accepted with many reservations. June 9, 1968 - The newspaper "Soviet Russia" published a devastating article by G. Mushta and A. Bondaryuk "In the name of what does Vysotsky sing?" December 1, 1969 - The wedding of Vysotsky and M. Vladi on 2nd Frunzenskaya Street. November 29, 1971 - Premiere of "Hamlet" at the Taganka Theatre. Starring Vysotsky. summer 1973 - For the first time the year goes to the West - The first two giant discs with Vysotsky's songs were released - in the USA. spring 1975 - Vysotsky and Vladi received a separate three-room apartment on Malaya Gruzinskaya, 28.
May 10, 1978 - The first shooting of the film "The meeting place cannot be changed." Filming ended in February 1979 - Starred in his last film - "Little Tragedies". July 17, 1980 - The last concert - in Bolshevo. July 18, 1980 - The last appearance on the stage of the theater - in the play "Hamlet". July 20, 1980 - The last poem: "And from below the ice, and from above - I toil between ..." July 25, 1980 - Died at 4.10 in the morning in his apartment on Malaya Gruzinskaya, 28
My grandmother is a true fan of the singer, poet, and often told me about those fleeting meetings with him that fate gave her. Their paths crossed at the Taganka Theater, where she served as a make-up artist and more than once made up Vladimir Semenovich. Once, at his request, she helped on stage during a performance: he played a general, she stood nearby and, at his request, agreed with him. My grandmother still remembers these minutes with reverence today. Tamara Dmitrievna Kuzmina
The work of the poet Vysotsky. Every person who is familiar with the song work of Vladimir Vysotsky has his own Vysotsky, there are songs that he likes more than others. They like it because they are somehow dearer, closer, more convincing. I also have "my own" Vysotsky.
In my essay, I focused on the military lyrics of Vladimir Vysotsky, trying to understand what prompted a talented poet who writes about love, friendship, mountains, books - in a word, about everything, to turn to poems about the Great Patriotic War. I think that I will be able to put together material about the poet, about his lyrics, to captivate my friends and classmates with this topic. In my essay, I will try to prove the hypothesis: what prompted the poet Vladimir Semenovich Vysotsky to write poems about the war.
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The life and work of Vladimir Vysotsky. 1938-1980
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Vladimir Vysotsky wrote more than 600 songs and poems, played 20 roles on the theater stage, 30 roles in films and television films, 8 in radio performances.
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January 25, 1938 in Moscow in the family of Semyon Vladimirovich and Nina Maksimovna Vysotsky, son Vladimir was born. Father - a military man, mother - an employee, an archive worker. Childhood During the Great Patriotic War, he was evacuated with his mother. The house where Volodya was born
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His parents - Nina Maksimovna Seryogina and Semyon Vladimirovich Vysotsky - lived together for about 5 years. At the front, Volodya's father met another woman and left the family. And after a while, Nina Maksimovna also got a new husband. Father - Semyon Vladimirovich Relations with his stepfather did not work out for Vladimir, apparently, this was one of the reasons for him to beg his own father to take him with him to Germany, where Semyon Vladimirovich was sent to serve.
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In Germany Until October 1949, Volodya Vysotsky with his father and his wife Evgenia Stepanovna lived in a military garrison in the city of Eberswalde.
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As a child, he began to write poetry. The poem "My oath", written in connection with the death of Stalin, was placed in the wall newspaper of the enterprise where the mother worked. First verses
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School years Then Semyon Vladimirovich and his family returned to their homeland - he went to serve in Kyiv, and his wife and son settled in Moscow, at 15 in Bolshoy Karetny Lane.
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At the crossroads, Vysotsky did not immediately determine that he wanted to be an actor. After graduating from school, he enters the Moscow Civil Engineering Institute, but after studying there for six months, he leaves him. He made this decision on New Year's Eve from 1955 to 1956. He and Igor Kokhanovsky, Vysotsky's school friend, decided to meet New Year very peculiar: for drawing drawings, without which they simply would not be allowed to the examination session. After the chiming clock, after drinking a glass of champagne, they set to work. Somewhere by two o'clock in the morning the drawings were ready. But then Vysotsky got up, took a jar of ink from the table, and began to pour his drawing with the remnants of it. "That's it. I'll get ready, I have another six months, I'll try to enter the theater. And this is not mine ...", Vladimir Semenovich said then.
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First songs Vysotsky began writing his first songs in the early 60s. These were songs in the style of "yard romance" and were not taken seriously either by Vysotsky or by those who were their first listeners. A few years later, in 1965, he wrote the famous "Submarine", about which Igor Kokhanovsky would later say: "The submarine - it was already serious. And I think that it was this song that announced that it was time for his creative youth ended
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This song lives with you all the time. It is customary to divide Vysotsky's songs into cycles: military, mountain, sports, Chinese ... You had to live several lives to feel all the characters depicted in the songs. The front-line soldiers who listened to his songs about the war were sure that he personally experienced everything that he wrote about in the songs. People who listened to his songs "with a criminal bias" were sure that he was sitting. Sailors, climbers, truck drivers - all considered him theirs. Every song was true to life. Vysotsky himself said this about the author's song: "I want to say and assure that the author's song requires a lot of work. This song lives with you all the time, does not give you rest day or night."
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Taganka In 1964, Vladimir Vysotsky came to the Taganka Theatre, which, in the words of Vysotsky himself, became "his theater" for him. "A young man came to the theater to hire me. When I asked him what he wanted to read, he replied:" I wrote several of my songs, listen? "I agreed to listen to one song, that is, in fact, our meeting was supposed to last not more than five minutes. But I listened without stopping for an hour and a half, "recalls Yuri Lyubimov. This is how it started creative way Vysotsky at the Taganka Theatre. Hamlet, Galileo, Pugachev - a variety of images created together with Yuri Lyubimov. Lyubimov will stage the last performance with Vysotsky - Vladimir Semenovich's farewell to the audience ...
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Cinema In parallel with work in the theater, there was also work in the cinema. Filming Vladimir Vysotsky began in his student years. In 1961, he had a role in the famous youth film "Dima Gorin's Career". In 1965 - two roles: in the films "Our House" and "The Cook".
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Film success In 1967, the picture "Vertical" was released, which brought Vysotsky real success, especially his songs from the film.
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Gleb Zhiglov In 1979, Vladimir Vysotsky played his most significant film role - Gleb Zheglov in the TV series "The meeting place cannot be changed." As the actor himself admitted, this was his favorite role.
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Love In 1970, Vladimir Semenovich Vysotsky officially registered his marriage to Marina Vladi. It was his greatest love
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He sang. Performing his songs, Vysotsky could be so roaring, so stormy and raging that people sitting in the hall had to close their eyes and pull their heads into their shoulders, as if from a strong wind. And it seemed: - another second - and the ceiling would collapse, and the speakers would explode, unable to withstand the tension, and Vysotsky himself would fall, suffocate right on the stage ... It seemed that it was impossible to sing at such a nervous intensity, it was impossible to breathe! And he sang. He breathed.
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Mighty efficiency "You have to work!" was his favorite saying. If he could, he would work around the clock. Sleep - 3-4 hours, the rest - work. He wrote his songs mostly at night. He came home after the performance, and sat down to work. Marina put a cup of scalding tea in front of him, and quietly sat down in the corner. Sometimes she fell asleep, and then, already in the morning, Vysotsky woke her up to read the lines written during the night.
