David alfaro siqueiros paintings. School Encyclopedia. Assassination attempt on Trotsky
Jose David Alfaro Siqueiros
When interpreting a birth horoscope, best method is to start the analysis with its common features, proceeding on their basis to the details. This is the usual itinerary - from general analysis horoscope and its structure, to the description of various character traits.
The twelve signs of the zodiac are grouped based on general characteristics. The first way is to unite according to their nature, basis. Such association is called elemental grouping. There are four elements - Fire, Earth, Air, Water.
The distribution of planets in the horoscope by elements sets basis of personality its owner and in this case it is...
elements
Expressed earth element . Like most Earth signs, you are efficient, specific, and not overly emotional. You judge a tree by its fruit. Your ideas may change, words may disappear, but actions and their consequences are visible and remain. Try to express your sensitivity, even if it shows your vulnerability. Emotions, energy and communication cannot be neglected; a particular action is meaningless if it is not in harmony with your heart, your intellect or your enthusiasm.
Chartted air element enhances your taste for information, communication, relationships and all kinds of change: real - travel or symbolic - new ideas, assumptions of opinion. You gain flexibility and adaptability at the expense of advocacy or pragmatism.
Presence water element indicates high sensitivity and elevation through the senses. The heart and emotions are your driving forces, you can't do anything if you don't feel an emotional impulse (in fact, the word "feeling" is the main one in your character). You must love in order to understand and feel in order to act. This can be harmful because of your vulnerability, and you need to learn to fight for your emotional stability.
The twelve signs of the zodiac are also divided into three groups of qualities of four signs. Within each group are signs that have certain common qualities. Each group has its own way of expressing itself in life. Cardinal signs carry out the transition from one to another, overcoming, conquest, elimination are associated with them. Fixed signs carry out embodiment, concentration, appropriation. Mutable signs prepare the transition to something else and carry out adaptation, change, assumption.
The distribution of planets in the horoscope by qualities sets way of expressing personality its owner, and in this case it is...
Qualities
fixed quality corresponds to most of the elements in your diagram and represents the desire for protection and durability: you are able to concretely assess the situation and its stability. You definitely prefer the role of a loyal, stubborn and hardworking person, instead of putting on new and dangerous experiences. You structure, cement, and reinforce everything you find along the way, with little interest in swiftness.
Mutable (changing) quality most emphasized in your natal chart, indicating a becoming character, inclined to be curious and thirsty for new experiences and development. You are a lively and flexible person who prefers to react quickly to circumstances. But do not confuse mobility with atomization and excitement, this is the danger of such a configuration. Personal protection doesn't matter as long as you don't get bored. You optimize and change your plans, things and environment in a fast way.
Your planetary (synthetic) sign - Aquarius Twins
You are a noble, refined and peaceful person, a true aristocrat of the spirit, who brings elegance to any society. Such people are often patient in any job that involves the opportunity to be in nature. They may be painters, sculptors, etc. You are thin, generally conservative, but determined. If there are planets associated with the element of earth, your success can turn into real glory.
- You are a real dreamer, you learn something all your life, and you never get tired of it. You are inquisitive and self-sufficient. Strive for scientific or literary activity, but you need some planet in the elements of fire or earth in order to gain fame and reach a high level of achievement. Try to always remain alert and aware of everything that is happening around you, because you are largely influenced by others and this can distract and stop you.
Siqueiros David Alfaro. Structure (constituents) of energy
Main characteristics
Motivation: self-foundation, will, source of motives, center
Siqueiros David Alfaro
Sun in Capricorn
You are ambitious, serious and dedicated to work, ready to work hard to achieve your goals. Although you are disciplined, responsible and practical, sometimes you feel sorry for yourself. You have an amazing ability to clearly see the right goal and direction. On others, you give the impression of a serious and reserved person. When you begin to trust someone, you become a devoted and faithful friend. You love society. Self-esteem is very important to you.
Emotions: sensitivity, susceptibility, impressionability
Siqueiros David Alfaro
Moon in Scorpio
Your emotions are intense and often based on strong desires. You are impatient, subject to mood swings and prone to gloomy reflections. You are vulnerable, you can be jealous and even vengeful person. You judge others too quickly and feel the need to quietly manage people. You cannot stand resistance and do not interfere in other people's affairs, but sometimes out of kindness you go for it. You are good at responsibilities, have great potential and entrepreneurial spirit. Although harsh and impulsive, you are self-confident and able to succeed. Usually you get what you want. Since you are jealous, proud and possessive, this position of the Moon does not promise harmony in marriage. The most important thing for you is to learn to forgive and forget, to control your strong, deep feelings.
Intelligence: mind, reason, mind, speech, communication
Siqueiros David Alfaro
Mercury in Capricorn
You are hardworking, careful and sincere, possessing a shrewd mind. You are great at remembering facts, numbers, and details. When you want to prove something, you can be tactful and diplomatic. You have a developed mind, you are reasonable and able to use all ideas for practical purposes. You are distinguished by self-discipline, skillfully educate others, but always remember that you need to connect your heart to everything that you do, you are methodical, both in thoughts and in actions. Therefore, you cope with any task and have a talent for politics. You are a realist and support traditional values. You are aware of everything that is happening around you and have a great ability to concentrate. Sometimes such people lack self-criticism and humor in their address, and if you have a sense of humor, it is more like satire.
Siqueiros actually Alfaro Siqueiros (Alfaro Siqueiros) Jose David (12/29/1898, Chihuahua, - 01/06/1974, Cuernavaca), Mexican painter and graphic artist, one of the founders of the Mexican school of monumental painting; public figure. He studied in Mexico City at the Academy of Arts (1911) and the Santa Anita School (1913). From 1911 he participated in the revolutionary movement. In 1914-18, an officer in the army of V. Carranza. In 1919-22 he worked in France and Spain; in 1921 he published the Manifesto of Revolutionary Art in Barcelona. Founder (1922) and General Secretary (1923-25) of the Revolutionary Syndicate of Workers in Technology and Art. Since 1924 - one of the leaders of the Mexican Communist Party, editor-in-chief of the newspaper El Mundo. In the 20s. - Active trade union leader, Secretary General of the Mexican Unitary Trade Union Confederation (since 1929). In 1930 he was arrested, in 1931 he was exiled to Taska. In 1932-34 and 1935-36 he worked in the USA, founded an experimental workshop in New York (1936). In 1937-39 he was an officer in the Republican Army in Spain. S.'s activity in Argentina (1933), Chile (1941–42), and Cuba (1943) had a great influence on the development of monumental art in the countries of Latin America. In 1927, 1955, 1958 and 1972 S. visited Moscow. In 1960 for political activity imprisoned, released in 1964 under pressure from international public opinion. Honorary member of the Academy of Arts of the USSR (1967). Laureate of the International Lenin Prize "For strengthening peace between peoples" (1966). A fighter for revolutionary art imbued with communist ideology, S. imparted increased expression and greater plastic power to images, defending new principles for the active influence of works of art on the masses. He created monumental compositions in which specific characters are combined with symbolic personifications of socio-historical forces, used the effects of a dynamically shrinking perspective, boldly introduced painting into interaction with sculptural forms, applied new artistic materials (synthetic paints, ceramic relief mosaics, etc.) . In the 50-60s. in the work of S., concrete expressiveness in the interpretation of historical events and types, the political content of the images is sharpened. The main works of S.: murals - in the National preparatory school(fresco, 1922-23), in the electricians' union club (1939), in the Palace of Fine Arts (1945 and 1950-51), in National Museum stories (begun in 1959): mosaics and reliefs on the façade of the Rector's Office of the University Campus (1952-54); the monumental and decorative building "Polyforum", combining architecture, painting and sculpture (1971); all works - in Mexico City; easel paintings - "Proletarian Mother" (1929-30), a portrait of J. Gershwin (1936), both - in the Museum of Modern Art, New York. He made many lithographs and drawings. Cit.: Cómo se pinta un mural, Méch., 1951; L "art et la revolution, P., 1973. Lit.: Zhadova L., Monumental painting of Mexico, M., 1965; Field V., Art of the countries of Latin America, M., 1967; David Siqueiros, [L., 1969]; Tibol R., David Alfaro Siqueiros, Mex., . V. M. Polevoy.
Big soviet encyclopedia. - M.: Soviet Encyclopedia. 1969-1978 .
See what "Siqueiros" is in other dictionaries:
Siqueiros A.S.- SIKÉYROS Alfaro Siqueiros David (18961974), mex. painter, post. Academy of Arts of the USSR (1967). Since 1924 one of the hands. Mex. KP. In 193739 an officer of the Rep. armies in Spain; in 1940 he organized an unsuccessful attempt on the life of L. D. Trotsky. ... ... Biographical Dictionary
- ... Wikipedia
SIKEIROS, JOSE DAVID, or Alfaro Siqueiros (Alfaro Siqueiros, Jose David) (1896 1974), Mexican painter and graphic artist. Born in Chihuahua. From a young age until the end of his life, Siqueiros combined political activity with professional pursuits ... ... Collier Encyclopedia
- (actually Alfaro Siqueiros, Alfaro Siqueiros) (1896 1974), Mexican painter and graphic artist, public figure. One of the founders and the largest master of the Mexican school of monumental painting. Honorary member of the Academy of Arts of the USSR (1967). Studied at … Art Encyclopedia
Siqueiros, actually Alfaro Siqueiros (Alfaro Siqueiros) José David (12/29/1898, Chihuahua, ‒ 1/6/1974, Cuernavaca), Mexican painter and graphic artist, one of the founders of the Mexican school of monumental painting; public figure. Studied at… … Great Soviet Encyclopedia
SIKEIROS (Alfaro Siqueiros) (Alfaro Siqueiros) David (1896 1974) Mexican painter, honorary member of the Academy of Arts of the USSR (1967). Since 1924 One of the leaders of the Mexican CP. In 1937 39 officer of the Republican army in Spain; in 1940 organized a failed ... ... Big Encyclopedic Dictionary
Siqueiros Xoce David- D. Siqueiros. Siqueiros Xoce David, Alfaro Siqueiros (Alfaro Siqueiros) (18961974), Mexican painter, graphic artist and public figure. One of the founders and major masters of the Mexican school of monumental painting. In 1911 ... ... Encyclopedic reference book "Latin America"
Siqueiros, David- D. Siqueiros. Polyforum in Mexico City. 1971 SIKEIROS (Alfaro Siqueiros) (Alfaro Siqueiros) David (1896 - 1974), painter. One of the founders of the Mexican school of monumental painting. To express the pathos of the struggle for freedom and peace, he used bright ... ... Illustrated Encyclopedic Dictionary
Alfaro Siqueiros (1896-1974), Mexican painter, honorary member of the USSR Academy of Arts (1967). Since 1924 one of the leaders of the Mexican CP. In 1937 39 officer of the Republican army in Spain; in 1940 organized a failed assassination attempt on ... ... encyclopedic Dictionary
José David Alfaro Siqueiros (Spanish: José David Alfaro Siqueiros, 1896-1974) is a Mexican painter. Painter, graphic artist and muralist. Political activist, member of the communist movement.
BIOGRAPHY OF THE ARTIST
David Alfaro Siqueiros in 1911 entered the Academy of Fine Arts of San Carlos in Mexico City, where he participated in a student strike, protesting against the order in the institution. Then he studied at the Santa Anita Art School.
From his youth he felt like a revolutionary, in 1911 he took part in the civil war on the side of the constitutionalists. He served as an officer in the army of Mexican President Venustiano Carranza.
In 1919-1922, Siqueiros lived in France and Spain. In 1921 he published in Barcelona the "Manifesto of Revolutionary Art", and in 1922 he founded the "Revolutionary Syndicate of Workers in Technology and Art". Member of the Mexican Communist Party (MCP) since 1922.
Since 1924, a member of the Central Committee of the ITUC, an active participant in the organization of the trade union movement and international communist congresses, served as editor-in-chief of the newspaper El Mundo, collaborated with other left-wing newspapers. Together with him, other Mexican artists took part in the communist movement, in particular.
In 1930, Siqueiros was arrested and then exiled to the town of Taxco. The link turned out to be fruitful in terms of creativity - here the artist created several dozen works.
Between 1932 and 1936, Siqueiros lived and worked primarily in the United States; there he painted the façades of the Chouinard School of Art and the Plaza Art Center in Los Angeles (1932).
In 1937-1939, Siqueiros participated in civil war in Spain as an officer of the Republican army under the command of Enrique Lister. He rose to the rank of colonel.
On the instructions of the NKVD, the communist-Stalinist Siqueiros takes part in a group of militants (codenamed "Horse"), formed to eliminate Trotsky. On May 24, 1940, together with Filipe, Leopoldo and Luis Arenal and others, he participates in the failed assassination attempt on Trotsky. At the end of 1940, he was arrested along with other members of the Kon group in connection with the assassination of Trotsky.
In 1960 he was elected a member of the Political Commission of the Central Committee of the ITUC. In the same year he was imprisoned for political activities, but in 1964 the authorities released him under pressure from international public opinion.
CREATION
From a young age until the end of his life, Siqueiros combined political activity with professional painting, and Siqueiros' work itself is as ideological as possible, imbued with the pathos of the struggle against social oppression and violence.
Almost always, Siqueiros gave his works an actual political sound.
In his work, Siqueiros gave the images increased expression, greater plastic power, defending new principles for the active impact of works of art on the masses. The artist created monumental compositions in which specific characters are combined with symbolic personifications of socio-historical forces, used the effects of a dynamically shrinking perspective, boldly introduced painting into interaction with sculptural forms, applied new artistic materials (synthetic paints, ceramic relief mosaics, etc.) .
Since the end of the forties, Siqueiros has been turning to constructively new surfaces on which the paintings are located:
“Future murals will do away with the exceptionally flat surface of the panels inherent in easel painting, they will cover the convex and concave, that is, the active surface of the walls.”
In the lobby of the Hospital de la Rasa in Mexico City, Siqueiros paints an oval wall. The spherical surface of the wall gives dynamics to the figures, saturates them with activity, connects a static image, which is the nature of painting, with the rhythms of the movement of the surrounding life.
In the 50‒60s. in the work of Siqueiros, concrete expressiveness in the interpretation of historical events and types is especially growing, the political content of the images is sharpened. All the time Siqueiros developed new visual means and technical methods of painting.
Murals and plastic mosaics, made by Siqueiros at the University campus in Mexico City, are located on the outer walls of the Rectorate building. They cover an area of over 4,000 square meters. Their theme is "The University in the Service of the Nations". Huge figures reaching ten meters in height - a symbolic personification of science and progress - are made in a relief that includes mosaics, ceramics and metal tiles edged by an electrolytic method.
Repeatedly came to Moscow (1927, 1955, 1958 and 1972). Honorary member of the Academy of Arts of the USSR (1967), laureate of the International Lenin Prize "For strengthening peace between peoples" (1967). A street in St. Petersburg is named after him.
The March of Humanity is perhaps one of the largest frescoes in the world. Siqueiros and his group painted 8,000 square meters of the building's walls inside and out. There is one innovation. this fresco - the artist introduced into it sculpture, mosaics, stained glass windows.
This work is the final chord and the apotheosis of David Alfaro Siqueiros...
QUOTES AND STATEMENTS OF THE ARTIST
Mexico is an endless field of sword-bearing grayish-blue agaves dotted with tenacious thorns.
Mexico is a country of huge jars and sweet fruits, over which birds hover.
Mexico is a country of an eagle, a snake and a cactus depicted on its coat of arms. Mexico - a country of flowers and thorns, droughts and hurricanes, rich colors and gentle melodies, a country of volcanoes and an amazing creative take-off - bewitched and blinded me with its enchanting light.
Everything that we have experienced and accomplished in art is wonderful, it is a lot, it is very important, but this is just the beginning, the beginning of the great path to the happiness of mankind, the first step towards which Lenin, the Great October Revolution. Without them, there would be no communist Siqueiros, perhaps only an artist under this name, but without the prefix communist, such an artist would hardly have become known outside of Mexico.
Realism is not a once and for all established formula, not a dogma, not an immutable law. Realism, as a form of reflection of reality, must be in constant motion.
The viewer is not a statue that is included in the linear perspective of the picture… he is the one who moves across its entire surface… a person, surveying the painting, complements the artist’s work with his movement
BIBLIOGRAPHY
- David Alfaro Siqueiros. They called me the Dashing Colonel. Memories 1986
- Grigulevich I. R. Siqueiros - M.: Art, 1980
- Zhadova L. Monumental painting of Mexico. M., 1965
- Semenov O.S. David Alfaro Siqueiros. Essay on the life and work of the artist. M., 1980
When writing this article, materials from such sites were used:en.wikipedia.org ,
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José David Alfaro Siqueiros is an artist with a very peculiar manner of execution, who made previously lifeless walls speak. This restless man was not limited to art and showed himself in a completely different field - a revolutionary and a communist. Even his involvement in the assassination of Trotsky is known. Politics and creativity for Siqueiros are inseparable, therefore, in his works there are motives for the struggle for Siqueiros's biography is very rich and full of intense struggle.
They say that in childhood the artist's name was not quite David. The boy's name was Jose. However, he later chose a middle name for himself. Perhaps it was symbolic. Of course, it was by no means the meekness that was proverbial that attracted him. This biblical hero who, being a shepherd, fought a giant, was a symbol of a challenge to something huge. Siqueiros felt like the same fighter who is ready to fight with superior forces.
Burning down at work
It is said that Siqueiros was very passionate about his work. He could not eat or sleep, not looking up from the creative process for 20 hours. His actions were more like a battle than a peaceful painting - he used a spray gun, not a brush, and also covered huge spaces. Usually the artist did not make sketches. Every time he came up to the wall, he boldly improvised.
Living Walls
Siqueiros is a muralist. Who is that? This is an artist who paints the walls. Fresco painting has been known for a long time. Its heyday came in the Middle Ages. Then fresco painting carried the Word of God to the illiterate population. In revolutionary times, it began to perform the same function, but with different goals. Propaganda took the place of preaching. Just as in the Soviet Union, in Mexico, where there are many poorly educated peasant populations, artistic images have become a means of educating the people.
Natural fighter
Not only was he not afraid of failures and hatred, but he himself went to meet them, provoking society and the authorities. “The vicious howl of my opponents is dearer to me than all praise!” - said the artist. This explains his great confidence in himself, and above all in his beliefs. Typical for him were situations similar to the case with the painting of the school. In Mexico, local authorities asked the artist to paint the wall educational institution facing the street. The muralist depicted a group of protesting workers, among whom was a black woman with a child. Such liberty greatly angered the people. Equality was not yet in honor. At the opening ceremony, clods of earth flew into the wall. Some even tried to shoot.
They say that this artist had a quick-tempered, unbridled disposition. He was very fond of arguing. Any arguments against did not embarrass, but only turned him on. He skillfully operated with logic and convincingly refuted everything. True, he knew how to be cold-blooded, especially in a situation of danger. His wife Angelica wrote a lot about his character and details of his personal life in her memoirs. By the way, he also painted it with enlarged, thanks to the “exit from the picture”, hands - this was one of the artist’s favorite tricks.
Revolutionary from youth
In 1911, the future celebrity entered the San Carlos Academy of Arts in Mexico City and already there he took part in the first uprising. The striking students were not satisfied with the order that prevailed in the academy. In the same year, Siqueiros took part in the Civil War on the side of the constitutionalists.
In 1919-1922 he lived in Spain and France. In 1921, he published in Barcelona the Manifesto of Revolutionary Art.
In 1930, he was exiled to the small town of Taxco for revolutionary activities. Like many creative people, exile and seclusion turned out to be a productive period for him. Several dozen works were created here.
Siqueiros and Gershwin
In the 30s the artist lived in the USA - in Los Angeles and New York. He repeatedly carried out the orders of the magnates, but at the same time he firmly followed the revolutionary ideas. It didn't always go smoothly. Sometimes the frescoes were destroyed by the police. All this did not prevent the artist from communicating with Hollywood stars, as well as living in the homes of famous American cultural figures. For example, one of them was the composer and pianist George Gershwin. This famous musician Siqueiros depicted in one of the paintings. It is difficult to call it a portrait - the figure of the playing pianist is small, and the whole hall enters the picture. Concentrated George Gershwin, the piano, the rhythmic rows of people, the curved lines of the theater's balconies seem to merge into a single sound of music.
Assassination attempt on Trotsky
The artist Siqueiros was a staunch Stalinist. On the instructions of the NKVD, he participated in the group of militants "Horse". In 1940 they made an attempt on Trotsky's life. Bursting into his house, the attackers opened fire. But the assassination failed: Trotsky and his wife hid under the bed. But the next attempt, organized by other people, succeeded. Together with his accomplices, he hit the politician on the head with an ice pick. Trotsky soon fell into a coma and ultimately did not survive. And Siqueiros admitted to participating in the first assassination attempt. The artist spent a year in prison, and after that he was expelled from the country. By the way, he had to be in prison or exile more than once. Of course, in such a situation, the artist was limited in creativity. But even there he found an opportunity to create. But, breaking free, he took up the matter with a special scope.
Siqueiros style
The paintings of the artist Siqueiros are diverse and unlike each other, and at the same time united by a common spirit and style. They feel either ethnic motifs, or even features of surrealism. The artist did not strive for a realistic depiction of the world. The form expressed, first of all, the content, and it was expressive and emotional. Almost all figures are full of movement. He deliberately coarsened images and lines in order to achieve expressiveness. The lines are very often sloppy. The colors that dominate Siqueiros' paintings are brown, red, yellow, sometimes gray and green. That is, on the face there is a noticeable advantage towards the warm part colors, but the language will not turn to call these colors warm. They are rather hot, ebullient, which is emphasized by the sharp contrast of light and dark.
Working hands
One of the images very common in his works is the huge hands of the heroes, stretched out to the viewer directly from the walls. They are also found in the composition “Social security for workers under capitalism and socialism”, and even in the artist’s self-portrait of 1945. Hands become symbols of the struggling proletariat, labor, action. Their disproportionate, exaggerated proximity to the viewer, as it were, leads to contact. Most often they are wiry and rough.
Bold experimenter
Siqueiros liked to experiment in creativity. We can say that in it he was the same revolutionary as in painting. The Mexican artist actively used new artistic materials - synthetic paints, ceramic relief mosaics. Played into his hands and the expressiveness of the structure of the walls. Siqueiros adhered to the idea that convex and concave walls, as well as perspective, would enliven and make the painting dynamic. The artist turned to this in the 40s.
In the 1950s, his works acquire concreteness. The artist more and more clearly touches on political topics.
March of Humanity
The March of Humanity is one of the largest frescoes in the world. It covers the surface of a building of complex shape. More than 8 thousand square meters inside and outside the building were painted by the artist and his group, which included artists and sculptors from different countries. Without stopping experimenting, Siqueiros introduced mosaics, stained-glass windows, and sculpture into this monumental composition. This grandiose work was created in 1971 and became, perhaps, the most striking, but also the last of his major creations - in 1974 (at 77), the artist passed away.
Siqueiros and the USSR
The question arises: as a communist, did the artist deal with the communist country itself? Yes. Siqueiros repeatedly came to Moscow - from 1927 to 1972 he was in the Soviet capital 4 times. In addition, the artist became an honorary member of the USSR Academy of Arts. And traces of the artist's stay in our Motherland and interest in it remained in St. Petersburg in the form of a street name.
Experienced contributors and may differ significantly from as tested on August 7, 2019; checks are required.
Jose David Alfaro Siqueiros(Spanish) Jose David Alfaro Siqueiros , December 29th (1896-12-29 ) , Camargo - January 6, Cuernavaca) is a Mexican artist. Painter, graphic artist and muralist. Political activist, member of the communist movement.
David Alfaro Siqueiros was born in 1896. In 1911, he entered the San Carlos Academy of Arts in Mexico City, where he participated in a student strike, protesting against the rules in the institution. Then he studied at the Santa Anita Art School. I felt like a revolutionary from a young age. ], in 1911 he took part in the civil war on the side of the constitutionalists. Served as an officer in the army of Mexican President Venustiano Carranza.
In 1919-1922, Siqueiros lived in France and Spain. In 1921 he published in Barcelona the "Manifesto of Revolutionary Art", and in 1922 he founded the "Revolutionary Syndicate of Workers in Technology and Art". Member of the Mexican Communist Party (MCP) since 1922. Since 1924, a member of the Central Committee of the ITUC, an active participant in the organization of the trade union movement and international communist congresses, served as editor-in-chief of the newspaper El Mundo, collaborated with other left-wing newspapers. Other Mexican artists took part with him in the communist movement, notably Diego Rivera.
In 1930, Siqueiros was arrested and then exiled to the town of Taxco. The link turned out to be fruitful in terms of creativity - here the artist created several dozen works.
Between 1932 and 1936, Siqueiros lived and worked primarily in the United States; there he painted the façades of the Chouinard School of Art and the Plaza Art Center in Los Angeles (1932).
In 1937-1939, Siqueiros fought in the Spanish Civil War as an officer in the Republican army under Enrique Lister. He rose to the rank of colonel.
May 24, 1940, together with Leopoldo and Luis Arenal and others, participates in the action of intimidation of L. D. Trotsky. Disguised in police uniforms, a detachment of 25 breaks into Trotsky's villa, ties up the five policemen guarding the villa, and fires indiscriminately. No one was injured in the attack. The action had two goals: to steal documents discrediting Trotsky, in particular evidence of receiving funds from ultra-reactionary US newspapers, and to force him to leave Mexico. Siqueiros himself considered the assassination of Trotsky or his guards "counterproductive." The attackers failed to get to the archive, nor did they succeed in forcing Trotsky to leave the country. June 23 communist party Mexico issued an official statement that none of the party members were involved in the attack on Trotsky, and all the attackers were "uncontrolled elements and provocateurs." As a result of the investigation, Siqueiros was arrested on October 4, 1940.
